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Venetian window at Holkham Hall in Norfolk, England, c. 1734-64 A Venetian window (also known as a Serlian window ) is a large tripartite window which is a key element in Palladian architecture . Although Sebastiano Serlio (1475–1554) did not invent it, the window features largely in the work of the Italian architect Andrea Palladio (1508 ...
There are two different versions of the motif: the simpler one is called a Venetian window, and the more elaborate a Palladian window or "Palladian motif", although this distinction is not always observed. [22] The Venetian window has three parts: a central high round-arched opening, and two smaller rectangular openings to the sides.
Italian Baroque interior design refers to high-style furnishing and interior decorating carried out in Italy during the Baroque period, which lasted from the early 17th to the mid-18th century. In provincial areas, Baroque forms such as the clothes-press or armadio continued to be used into the 19th century.
In the 18th century an elegant library was created on the 3rd floor of the palace with a ceiling that incorporated a rich stucco design. In the center of the library's ceiling was placed one of Giovanni Battista Tiepolo 's masterpieces The Glorification of the Barbaro Family , a painting that now resides in the Metropolitan Museum of Art in New ...
The Serlian window, or Venetian window, also known as a Palladian window, was another common feature of his style, which he used both for windows and the arches of the loggias of his buildings. It consists of an arched window flanked by two smaller square windows, divided by two columns or pilasters and often topped by a small entablature and ...
Italy's major centres of Neoclassical art and interior design were Rome, Milan, Naples, Turin and Genoa, [1] whilst Venice was far slower in adopting this new classicist fashion, and Venetian interiors were still Rococo in essence until the 1790s, when they were lightly made more simple and less flamboyant.
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