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Early English porcelain was soon being collected, especially in the late 19th century, when prices rose steadily. Over the 20th century there has been a great reversal in collectors' interests, with wares from later in the century far cheaper now (allowing for inflation) than they were a century ago, while the rare earliest pieces have seen ...
The Overbeck sisters (Margaret, Hannah, Elizabeth, and Mary Frances) were American women potters and artists of the Arts and Crafts Movement who established Overbeck Pottery in their Cambridge City, Indiana, home in 1911 with the goal of producing original, high-quality, hand-wrought ceramics as their primary source of income.
Rockingham were early 19th century pottery manufacturers whose flamboyant, ornamental pieces gained royal attention in 1830. While the company closed in 1841, the porcelain remains highly collectable. [6] Freemantle utilised his local links to assemble his collections, for example he discusses locating the pottery with a ‘Mr Charles Drury’.
Potters occasionally substituted manganese or iron oxide for cobalt oxide to produce brown, instead of blue, decorations on the pottery. In the last half of the 19th century, potters in New England and New York state began producing stoneware with elaborate figural designs such as deer, dogs, birds, houses, people, historical scenes and other ...
Catawba Valley Pottery describes alkaline glazed stoneware made in the Catawba River Valley of Western North Carolina from the early 19th century, as well as certain contemporary pottery made in the region utilizing traditional methods and forms. The earliest Catawba Valley pottery was earthenware made by the Catawba people. [1]
Pottery had been an integral part of the United States Arts and Crafts movement in the late 19th century and early 20th century. A major figure in the growth of this movement was Charles Fergus Binns, who served as the first director of the New York State School of Clay-Working at Alfred University.
The Marblehead Pottery was founded in Marblehead, Massachusetts in 1904 as a therapeutic program by a doctor, Herbert Hall, and taken over the following year by Arthur Eugene Baggs. The pottery's vessels are notable for simple forms and muted glazes in tones ranging from earth colors to yellow-greens and gray-blues. It closed in 1936. [7] [8]
By the late 18th century North Staffordshire was the largest producer of ceramics in Britain, despite significant centres elsewhere, and relied heavily on child labor throughout the production process. [4] Large export markets took Staffordshire pottery around the world, especially in the 19th century. [5]
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