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In a cumulative tale, sometimes also called a chain tale, action or dialogue repeats and builds up in some way as the tale progresses. With only the sparest of plots, these tales often depend upon repetition and rhythm for their effect, and can require a skilled storyteller to negotiate their tongue-twisting repetitions in performance. [ 1 ]
The one builds up the pressure, the other releases it; and the turn is the dramatic and climactic center of the poem, the place where the intellectual or emotional method of release first becomes clear and possible. From line 9 it is usually plain sailing down to the end of the sestet and the resolution of the experience." [27]
The story builds up a repeated emphasizing of the dog's exceptional shagginess. The climax of the story culminates in a character reacting to the animal by stating: "That dog's not so shaggy." The expectations of the audience that have been built up by the presentation of the story, both in the details (that the dog is shaggy) and in the ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Further, the device allows Whitman "to vary the tempo or feeling, to build up climaxes or drop off in innuendoes" [70] Scholar Stanley Coffman analyzed Whitman's catalogue technique through the application of Ralph Waldo Emerson ' s comment that such lists are suggestive of the metamorphosis of "an imaginative and excited mind". According to ...
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Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.