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The Idiot (pre-reform Russian: Идіотъ; post-reform Russian: Идиот, romanized: Idiót) is a novel by the 19th-century Russian author Fyodor Dostoevsky.It was first published serially in the journal The Russian Messenger in 1868–1869.
Prince Lev Nikolayevich Myshkin (pre-reform Russian: князь Левъ Николаевичъ Мышкинъ; post-reform Russian: князь Лев Николаевич Мышкин, romanized: knyazʹ Lev Nikoláyevich Mýshkin) is the main protagonist of Fyodor Dostoevsky's 1869 novel The Idiot. Dostoevsky wanted to create a character that ...
Fyodor Mikhailovich Dostoevsky [a] [b] (11 November [O.S. 30 October] 1821 – 9 February [O.S. 28 January] 1881), [3] was a Russian novelist, short story writer, essayist and journalist. Numerous literary critics regard him as one of the greatest novelists in all of world literature , [ 3 ] as many of his works are considered highly ...
Nastasya Filippovna Barashkova (pre-reform and post-reform Russian: Настасья Филипповна Барашкова, romanized: Nastásʹya Filíppovna Baráshkova) is the principal heroine of Fyodor Dostoevsky's 1869 novel The Idiot.
It was adapted by Edmund Barclay from the novel The Idiot by Fyodor Dostoevsky. [2] Barclay's adaptation has been called a "radio masterpiece". [3] It was one of a series of classical novel adaptations by Barclay for the Australian Broadcasting Corporation (ABC); Leslie Rees listed The Idiot among the best of these. [4]
The Idiot (Russian: Идиот), is a 1959 Soviet film directed by Ivan Pyryev. It is based on Part 1 of the eponymous 1869 novel by Fyodor Dostoevsky ; Yury Yakovlev declined to play the title character in a sequel which was never made.
The bibliography of Fyodor Dostoyevsky (1821–1881) comprises novels, novellas, short stories, essays and other literary works. Raised by a literate family, Dostoyevsky discovered literature at an early age, beginning when his mother introduced the Bible to him.
On 4 October 1866, Anna Snitkina started working as a stenographer on Fyodor Dostoevsky's novel The Gambler. [5] A month later they became engaged. [5]In the Memoirs, Anna describes how Dostoevsky began his marriage proposal by outlining the plot of an imaginary new novel, as if he needed her advice on female psychology. [6]
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