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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
"Killing Floor" (Howlin' Wolf song), 1964 "Killing Floor", a song on Redgum's 1978 album If You Don't Fight You Lose "Killin' Floor", a song on Body Count's 1992 album Body Count
Chester Burnette A.K.A. Howlin' Wolf: Howlin' Wolf Cadet 2CA-60017 The Heatin' System: Jack McDuff: Cadet 2CA-60018 Inside: Ramsey Lewis: Cadet 2CA-60019 Cool Cookin' Kenny Burrell: Chess CH-60020 The London Chuck Berry Sessions: Chuck Berry: Cadet CA-60021 12 X 6 The Hard Way: Various Artists Cadet CA-60022 12 X 6 The Easy Way: Various Artists ...
Going Back Home is a collaborative studio album by former Dr. Feelgood guitarist Wilko Johnson and the Who lead vocalist Roger Daltrey released in 2014. The album contains versions of songs previously recorded by Johnson and his former band Dr. Feelgood, as well as a version of "Everybody's Carrying a Gun" by Wilko Johnson and the Solid Senders.
Howlin' Wolf: 1962 Top Jimmy & the Rhythm Pigs "Don't Go No Further" Muddy Waters: 1956 The Doors, B.B. King, John P. Hammond "Don't You Tell Me Nothin'" Willie Dixon: 1986 used in the film The Color of Money "Down in the Bottom" Howlin' Wolf: 1961 Bill Wyman's Rhythm Kings, John P. Hammond, Siegel–Schwall Band, Barry McGuire "Eternity ...
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The Howlin' Wolf entry is possibly the best of the batch, and one of the best introductions to this mercurial electric bluesman. Opening with the savage 'Killing Floor,' the album doesn't let up in intensity, and it happily focuses on Wolf's less-anthologized sides, which gives the album a freshness a lot of blues compilations lack".
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