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Charles I Insulted by Cromwell's Soldiers is an oil painting by the French artist Paul Delaroche, depicting Charles I of England taunted by the victorious soldiers of Oliver Cromwell after the Second English Civil War, prior to his execution in 1649. Completed in 1836, it is thought to be one of Delaroche's greatest masterpieces.
Both works are based on a fictional account by François-René de Chateaubriand of Oliver Cromwell opening Charles I's coffin after the latter's execution. [1] Delaroche's work was less a portrayal of an event than an oblique comment on the French Revolution and Louis XVI's execution, [2] with Cromwell standing in for Napoleon. [3]
The image of Charles's execution was central to the cult of St. Charles the Martyr, a major theme in English royalism of this period. Shortly after Charles's death, relics of Charles's execution were reported to perform miracles—with handkerchiefs of Charles's blood supposedly curing the King's Evil among peasants. [90]
Cromwell with the Coffin of Charles I (Delacroix, 1831): a troubled Cromwell, who accidentally stumbled upon the coffin, uncovers his head, keeps his distance, and is unsure whether to approach or leave. The painting depicts how Oliver Cromwell, during the English Civil War, opens the coffin of Charles I in Whitehall to
Charles I (19 November 1600 – 30 January 1649) [a] was King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.. Charles was born into the House of Stuart as the second son of King James VI of Scotland, but after his father inherited the English throne in 1603, he moved to England, where he spent much of the rest of his life.
A liuely Representation of the manner how his late Majesty was beheaded uppon the Scaffold Ian 30: 1648; A representation of the execution of the King's Judges. In the top pane, Charles I is shown awaiting his execution. In the bottom pane, one regicide is hanged and another quartered, while the latter's head is shown to the crowd.
The Eikon Basilike, a purported spiritual autobiography attributed to Charles I, published days after his execution. Charles is regarded by many members of the Church of England as a martyr because, it is said, [4] he was offered his life if he would abandon the historic episcopacy in the Church of England.
The famous triple portrait of Charles I by Van Dyck. Bernini, seeing this picture, called it "the portrait of a doomed man".. Written in a simple, moving and straightforward style in the form of a diary, the book combines irenic prayers urging the forgiveness of Charles's executioners with a justification of royalism and the King's political and military programme that led to the Civil War.