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The Equestrian Statue of Gattamelata is an Italian Renaissance sculpture by Donatello, dating from 1453, [1] today in the Piazza del Santo in Padua, Italy.It portrays the condottiere Erasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time.
He was the subject of Donatello's equestrian bronze sculpture in the main square of Padua, the same city over which he became podestà in 1437. In Narni, the farmhouse in which Gattamelata was born bears a plaque reading "Narnia me genuit Gattamelata fui" ("I was born in Narni, I was Gattamelata"). [1]
The earliest surviving Renaissance equestrian statue: Equestrian statue of Gattamelata by Donatello, on Piazza del Santo (Padua), 1453. This is a list of equestrian statues in Italy. Frequently represented persons: Giuseppe Garibaldi (1807–1882) Victor Emmanuel II (1820–1878), Italian: Vittorio Emanuele II
Equestrian Monument of Gattamelata, 1450. In 1443, Donatello was called to Padua by the heirs of the famous condottiere Erasmo da Narni (better known as the Gattamelata, or 'Honey-Cat'), who had died that year.
The 2nd-century Roman bronze equestrian statue of Marcus Aurelius, highly visible in Rome since antiquity, was the main influence on the Renaissance revival of the form. An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. [1]
Generally, "sculpture of any quality" was more expensive than an equivalent in painting, and when in bronze dramatically so. The painted Equestrian Monument of Niccolò da Tolentino of 1456 by Andrea del Castagno appears to have cost only 24 florins, while Donatello's equestrian bronze of Gattamelata, several years earlier, has been "estimated conservatively" at 1,650 florins.
Another view. Verrocchio based the sculpture on Donatello's statue of Gattamelata, as well as on the ancient statue of Marcus Aurelius in Rome, the St. Mark's Horses in Venice, the Regisole (a late antiquity work in Pavia, now lost), and the frescoes of the Funerary Monument to Sir John Hawkwood by Paolo Uccello and of the Equestrian Monument of Niccolò da Tolentino by Andrea del Castagno.
It has been suggested that Donato, among other Paduan humanists, like Ciriaco, Francesco Barbaro, Jacopo Zeno, Palla Strozzi, and Leon Battista Alberti, may have influenced the classicism of the work of Donatello—especially his equestrian monument to Gattamelata—during his Paduan years (1444–53), when he had a studio near the Santo. [16]