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  2. Rembrandt's prints - Wikipedia

    en.wikipedia.org/wiki/Rembrandt's_prints

    Though, like other prints, his are often loosely described as "engravings", the main technique he used was etching, with some prints entirely in true engraving or in drypoint. Many prints used a mixture of techniques, as was common at the time. In all he produced about 300 prints. He is famous for revising prints, sometimes over a period of ...

  3. List of etchings by Rembrandt - Wikipedia

    en.wikipedia.org/wiki/List_of_etchings_by_Rembrandt

    St. Jerome praying: arched print: 1632 B121: 3: The rat-poison peddler [The rat catcher] 1632 B152: 1: The Persian: 1632 B073: 10: The raising of Lazarus: the larger plate: About 1632 B062: 1: The holy family: About 1632 B117: 2: A cavalry fight: About 1632 B139: 1: Turbaned soldier on horseback: About 1632 B141: 6: Polander leaning on a stick ...

  4. Liszt Collection - Wikipedia

    en.wikipedia.org/wiki/Liszt_Collection

    Engravings could be made within days of the event shown on the engraving. At this time very few (mainly American) painters could make a living selling their canvases and many turned to engraving to earn a living. Artists of the Liszt Collection’s engravings go from J. B. Allan,W. H. Bartlett and Thomas Bewick to R. Zogbaum.

  5. Old master print - Wikipedia

    en.wikipedia.org/wiki/Old_master_print

    Mantegna's workshop produced a number of engravings copying his Triumph of Caesar (now Hampton Court Palace), or drawings for it, which were perhaps the first prints intended to be understood as depicting paintings—called reproductive prints. With an increasing pace of innovation in art, and of a critical interest among a non-professional ...

  6. Engraving - Wikipedia

    en.wikipedia.org/wiki/Engraving

    Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...

  7. Calendarium Naturale Magicum Perpetuum - Wikipedia

    en.wikipedia.org/wiki/Calendarium_Naturale...

    The "author" in the 1619 (or 1620) Frankfurt print is given as Johann Baptist Grossschedel von Aicha (Frankfurt 1620), and attributes some of the engravings to Tycho Brahe. The original engraver is given as Theodor de Bry (Flemish-born German engraver, 1528–98) as originally published in 1582. [ 1 ]

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