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Bryter Layter is the second studio album by English folk singer-songwriter Nick Drake.Recorded in 1970 and released on 5 March 1971 by Island Records, it was his last album to feature backing musicians, as his next and final studio album, Pink Moon, had Drake perform all songs solo.
The band consists of Andrew Mitchell (vocals, guitar, keyboard), Liam Brennan (drums, vocals, percussion) and siblings Alice Marra (vocals, guitar, keyboard, synthesizer) and Matthew Marra (bass guitar, keyboard, glockenspiel).
Electric guitar on 'Hazey Jane II' 1971: Bless the Weather: John Martyn: Guitar 1971: If You Saw Thro' My Eyes: Iain Matthews: Electric and acoustic guitar, accordion 1971: The North Star Grassman and the Ravens: Sandy Denny: Electric guitar and acoustic guitars, bass, accordion, vocals 1971: Rains/Reins of Changes: Marc Ellington: 1971 ...
Notes Ref "Time Has Told Me" 1969 Nice Enough to Eat: From Five Leaves Left [35] "Hazey Jane I" 1970 Bumpers: From Bryter Layter [36] "One of These Things First" 1971 El Pea [37] "Road" 1994 Folk Routes: From Pink Moon [38] "Three Hours" 1995 Troubadours of British Folk, Vol.2: Folk into Rock: From Five Leaves Left [39] "Pink Moon" 2001
[19] Self-taught, [88] he achieved his guitar style through the use of alternative tunings to create cluster chords, [89] which are difficult to achieve on a guitar using standard tuning. Similarly, many of his vocal melodies rest on the extensions of chords, not just on notes of the triad. [89]
Heaven in a Wild Flower is a 1985 compilation album featuring tracks by English singer/songwriter Nick Drake, taken from Five Leaves Left, Bryter Layter and Pink Moon.The title of the compilation is taken from the lines of William Blake poem Auguries of Innocence.
A Treasury is a Nick Drake compilation aimed at the audiophile audience. Released in the UK on 27 September 2004 and in the US on 26 October 2004, it was available as both a hybrid multichannel SACD and a 180 gram vinyl LP.
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
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