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Jerome Moross (August 1, 1913 – July 25, 1983) was an American composer best known for his music for film and television. [1] He also composed works for symphony orchestras, chamber ensembles, soloists and musical theater, as well as orchestrating scores for other composers.
The Big Country is a 1958 American epic Western film directed by William Wyler, starring Gregory Peck, Jean Simmons, Carroll Baker, Charlton Heston, and Charles Bickford. The supporting cast features Burl Ives and Chuck Connors .
No Place Like Home, Big Country's fifth studio album, was released in 1991. It was a commercial flop, and as a result nearly broke up the band. Drummer Mark Brzezicki returned to the studio as a session drummer after leaving the band. The album found Big Country trying to reinvent themselves and shift away from their 1980s image. [1]
It should only contain pages that are Big Country songs or lists of Big Country songs, as well as subcategories containing those things (themselves set categories). Topics about Big Country songs in general should be placed in relevant topic categories .
The soundtrack features music from the band Big Country.This music was not released on an album but was combined into two lengthy tracks, each featuring various pieces of music and clips of actors from the film's audio, which appeared on limited edition formats of two Big Country 12" singles.
After leaving Skids in 1981, he formed Big Country and was the band's lead singer and guitarist. The group's commercial heyday was in the 1980s. In the 1990s, he was a member of the alternative country band the Raphaels. In the late 1970s the British music journalist John Peel referred to his musical virtuosity as a guitarist as "a new Jimi ...
In early 1982, a newly formed Big Country declined a trade agreement with the Ensign label but later signed a recording contract with Mercury-Phonogram Records. The band went to London to begin work on their upcoming debut album with producer Chris Thomas. However, the band felt Thomas was not fully committing to the band due to his other ...
[6] In a review of The Buffalo Skinners, Kim DeFalco of The Tampa Tribune commented, "Adamson burrows into his own psyche for moody, bluesy songs of alienation such as 'The One I Love'." [ 7 ] Dick Hogan of The Gazette wrote, "It opens with a mellow touch before breaking into layered guitars and features a catchy, multi-track sing-along hook."
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