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The Waste Land is often cited as a means of distinguishing modern and postmodern literature. [citation needed] The poem is fragmentary and employs pastiche like much postmodern literature, but the speaker in The Waste Land says, "these fragments I have shored against my ruins". Modernist literature sees fragmentation and extreme subjectivity as ...
Certain key characteristics are used to separate the postmodern from modernist cinema and traditional narrative film. [104] [105] One is an extensive use of homage or pastiche, imitating the style or character of other artistic works.
Postmodern literature, like postmodernism as a whole, is difficult to define and there is little agreement on the exact characteristics, scope, and importance of postmodern literature. Among postmodern writers are the Americans Henry Miller, William S. Burroughs, Joseph Heller, Kurt Vonnegut, Hunter S. Thompson, Truman Capote and Thomas Pynchon.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Postmodern literature; Postmodern art; Postmodern film and television; Graphic novel;
Postmodernity (post-modernity or the postmodern condition) is the economic or cultural state or condition of society which is said to exist after modernity. [nb 1] Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by ...
He traces these characteristics of postmodernism across a variety of fields and media, including film, television, literature, economics, architecture, and philosophy. In one of his most prominent examples, he draws out the differences between modernism and postmodernism by comparing Van Gogh 's "Peasant Shoes" with Andy Warhol 's "Diamond Dust ...
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The Postmodern Condition: A Report on Knowledge (French: La condition postmoderne: rapport sur le savoir) is a 1979 book by the philosopher Jean-François Lyotard, in which the author analyzes the notion of knowledge in postmodern society as the end of 'grand narratives' or metanarratives, which he considers a quintessential feature of modernity.