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The Primitives returned to the studio with original producer Paul Sampson, recording the EP Never Kill a Secret, [2] featuring two original songs — the title track and "Rattle My Cage" — and two cover versions of lesser-known female-fronted songs — "Need All the Help I Can Get" (written by Lee Hazlewood and originally recorded by Suzi ...
Reissued by Neptune Music in 2001 as Buzz, Buzz, Buzz — — Thru the Flowers – The Anthology: Released: 13 September 2004; Label: Castle Music; Formats: 2xCD — — Buzz Buzz Buzz – The Complete Lazy Recordings: Released: 12 June 2006; Label: Castle Music; Formats: 2xCD — — Everything's Shining Bright – The Lazy Recordings 1985 ...
The song was first recorded for the band's 1988 debut album, Lovely. It was released as a single in February 1988, peaking at number five on the UK Singles Chart, number three on the US Modern Rock Tracks chart, and number two on the Swedish Singles Chart. Its UK success saw the group perform the song on the BBC's Top of the Pops. [6]
It should only contain pages that are The Primitives songs or lists of The Primitives songs, as well as subcategories containing those things (themselves set categories). Topics about The Primitives songs in general should be placed in relevant topic categories .
The Primitives chronology; Lovely (1988) ... All songs written by Paul "PJ" Court, except for where noted. "Crash" (Court, Steve Dullaghan, Tracy Tracy) — 2:31
Echoes and Rhymes is a 2012 studio album by The Primitives. It is their first album since their 2009 reunion. It is their first album since their 2009 reunion. [ 1 ] [ 2 ] The album collects cover versions of 1960s "obscurities."
McCartney followed up McCartney III in 2021 with a remix album of songs featuring artists like Beck, Dominic Fike, Phoebe Bridgers and more. Read the original article on People.
Pure is the second studio album by the British band The Primitives, released in 1989 as the follow-up to their debut, Lovely.The line-up changed slightly over the course of the previous year: Steve Dullaghan was replaced on the bass guitar by Paul Sampson, who also shared the production duties with Wayne Morris.
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