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In rhetoric, chiasmus (/ k aɪ ˈ æ z m ə s / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα chiásma, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ"), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words".
An example of chiastic structure would be two ideas, A and B, together with variants A' and B', being presented as A,B,B',A'. Chiastic structures that involve more components are sometimes called "ring structures" or "ring compositions". These may be regarded as chiasmus scaled up from words and clauses to larger segments of text.
In rhetoric, antimetabole (/ æ n t ɪ m ə ˈ t æ b ə l iː / AN-ti-mə-TAB-ə-lee) is the repetition of words in successive clauses, but in transposed order; for example, "I know what I like, and I like what I know". It is related to, and sometimes considered a special case of, chiasmus. An antimetabole can be predictive, because it is easy ...
Chiasm (anatomy), an X-shaped structure produced by the crossing over of the fibers, with the prefix chiasm- means cross examples include: A nerval chiasm, where either two nerves cross in the body midline (e.g. Optic chiasma) A crossing of fibres inside a nerve reversing their mapping; A tendinous chiasm, the spot where two tendons cross.
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action.
For example, with chiasmus: "rust brown blazers rule"; with parallelism: "what in earlier days had been drafts of volunteers were now droves of victims". [28] Symmetrical alliteration with chiasmus resembles palindromes in its use of symmetry.
Catullus 5 in Latin and English. Catullus 5 is a passionate ode to Lesbia and one of the most famous poems by Catullus.The poem encourages lovers to scorn the snide comments of others, and to live only for each other, since life is brief and death brings a night of perpetual sleep.
List of pieces using polytonality and/or bitonality.. Samuel Barber. Symphony No. 2 (1944) [citation needed]; Béla Bartók. Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of E ♭ dorian and the left hand uses those of either G mixolydian or dorian [1]