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Repeat and fade is a musical direction used in sheet music when more than one repeat of the last few measures or so of a piece is desired with a fade-out (like something traveling into the distance and disappearing) as the manner in which to end the music. It originated as a sound effect made possible by the volume controls on sound recording ...
Possibly the earliest example of a fade-out ending can be heard in Joseph Haydn's Symphony No. 45, nicknamed the "Farewell" Symphony on account of the fade-out ending.The symphony which was written in 1772 used this device as a way of courteously asking Haydn's patron Prince Nikolaus Esterházy, to whom the symphony was dedicated, to allow the musicians to return home after a longer than ...
"Street Spirit (Fade Out)" is a song by the English rock band Radiohead, released on their second studio album, The Bends (1995). It was released as a single on 22 January 1996 and reached number five on the UK singles chart, Radiohead's highest position up to that point. Radiohead considered it a breakthrough in their songwriting.
"Let 'Em In" is also notable for the false fade out, which, however, becomes loud for the last two notes of the song. The song makes use of the piano, drums, brass, including a trombone solo, and wind instruments, featuring flutes, as well as backup vocals from Linda and other members of Wings. [9]
Niente (Italian pronunciation:), also called quasi niente [ˈkwaːzi ˈnjɛnte], is a musical dynamic often used at the end of a piece to direct the performer to fade the music away to little more than a bare whisper, normally gradually with a diminuendo, [1] al niente. [2] It is often written as "n" or "ø".
Fade-out or fade, a gradual decrease in sound volume; Fade (lighting) or fade-out, a gradual decrease in intensity of a stage lighting source; Dissolve (filmmaking) or fade-out, a cinematographic technique causing the picture to darken and disappear
Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded. [1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, with the second stress occurring on the second rather than third beat of the first measure, which was an update of the "hambone" rhythm, or patted juba from West Africa.
Appears during the song's fade-out. The backmasked message is the chorus of Pilot's earlier song, "Magic". Bassist David Paton remarked: "We always meant to have something else there and after the success of 'Magic' the idea just came up in the studio for all of us to sing the chorus of 'Magic' on the fade. I think you might even hear an 'Och ...