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Self-portrait, 1498. Museo del Prado, Madrid. Oil on wood panel, 52 cm x 41 cm. Self-portrait (or Self-portrait at 26) is the second of Albrecht Dürer's three painted self-portraits and was executed in oil on wood panel in 1498, after his first trip to Italy. In the depiction, Dürer elevates himself to the social position he believed suited ...
Las Meninas, painted in 1656, shows Diego Velázquez working at the easel to the left.. Self-portraiture has a long history. In Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the self-portrait, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self".
Max Beckmann was a prolific painter of self-portraits [26] as was Edvard Munch who made great numbers of self-portrait paintings (70), prints (20) and drawings or watercolours (over 100) throughout his life, many showing him being badly treated by life, and especially by women. [27]
Self-Portrait (or Self-Portrait at Twenty-Eight) is a panel painting by the German Renaissance artist Albrecht Dürer. Completed early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. Art historians consider it the most personal, iconic and complex of these. [1]
The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...
This self-portrait of Picasso was painted in 1901, when he was a young man aged 19 who had recently arrived in Paris. The year was a significant point in the artist's career, as it was in the June of that year when Picasso's career as an artist was launched at his first exhibition at the gallery of Ambroise Vollard.
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The guillotine theme is also highlighted by Polini in the 1998 Self Portrait (With Easel), comparing the red and yellow lines in the portrait to the shape of a guillotine. [94] The last self portrait that Utermohlen used a mirror for, [95] Self Portrait (With Easel) (1998) uses the same pose as a 1955 self-portrait. Polini states that this was ...
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