Search results
Results from the WOW.Com Content Network
The discography of Primal Scream, a Scottish rock band, consists of twelve studio albums, twenty-six singles, one EP, two greatest hits albums, two live albums, and one remix album. They also released a joint live CD and DVD with MC5 titled Black to Comm , recorded at the 2008 Meltdown festival.
It should only contain pages that are Primal Scream songs or lists of Primal Scream songs, as well as subcategories containing those things (themselves set categories). Topics about Primal Scream songs in general should be placed in relevant topic categories .
On 23 May 2023, Primal Scream announced that they would be performing as a 12-piece band for their upcoming tour dates, with the core line-up augmented by members of the House Gospel Choir on backing vocals, Alex White of Fat White Family on saxophone, and keyboards by former Go-Kart Mozart member Terry Miles [33] who had also previously played ...
Dirty Hits is a greatest hits album by Scottish rock band Primal Scream. [3] [4] It was released on 3 November 2003 by Columbia Records.The album is generally made up of chronologically listed singles, except the album tracks "Long Life", "Shoot Speed/Kill Light", and "Deep Hit of Morning Sun".
"Kowalski" is a song by Scottish rock band Primal Scream, released on 5 May 1997 as the lead single from their fifth studio album Vanishing Point.
Screamadelica is the third studio album by Scottish rock band Primal Scream.It was first released on 23 September 1991 in the United Kingdom by Creation Records and on 8 October 1991 in the United States by Sire Records.
"Rocks" is a song by the Scottish rock band Primal Scream that came out in 1994 with the release of Give Out But Don't Give Up, which was the group's fourth studio album. This track was the first indication of the band's evolution in musical genre , contrasting with the approaches utilized in Primal Scream's previous album, titled Screamadelica ...
Reviewing Give Out but Don't Give Up for Select, Adam Higginbotham praised the band for filtering their "homages, influences and straight-up rip-offs" into a unique album, and applauded them for embracing "such apparently alarmingly unfashionable rock 'n' roll and soul attitudes", which they said "indicates a wealth of exactly the kind of sneering insubordination needed in a year otherwise ...