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Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
The Yospan dance (Indonesian: Tarian Yospan) is a type of social association dance in Papua which is a traditional dance originating from the coastal regions of Papua, namely Biak, Yapen and Waropen, which are often played by the younger people as a form of friendship. [233]
The Biak Numfor have a friendship dance called Yosim Pancar which is popular across West Papua and coastal Papua. Its small to mid-size dance group formations could last all-night long. Several "Yosim Pancar" moves that are popular till this day are: Pancar Gas, Gale-Gale, Jef, Pacul Tiga, Seka, and Poco-poco adaptation.
Hudoq performance in Upper Mahakam River, Borneo, Dutch East Indies circa 1896.. According to the traditional beliefs of the Bahau, Busang, Modang, Ao’heng, and Penihing people, hudoqs are thirteen crop-destroying pests, including rats, boars, leopards, and crows.
Payung dance (Minangkabau: tari Payuang; Jawi: تاري ڤايوڠ) is a folk dance-drama tradition of the Minangkabau-Malay ethnic group [1] in Sumatra, Indonesia. This dance is a Minangkabau version of other Malay dances from Sumatra. Folk theatre such as toneel and sandiwara often incorporates payung dance as part of the show. [2]
Ulli Beier, a lecturer in English Literature at the University of Papua New Guinea since 1967, was crucial in encouraging young writers and getting their work published. From 1969 to 1974 he was the editor of Kovave, a journal of New Guinea literature. He also published Papua Pocket Poets, and Pidgin Pocket Plays.
Gending Sriwijaya is the name of the traditional performance whether it is a song, music, as well as dance that originated from Palembang, South Sumatra, Indonesia.Both of the song and the dance was created to describes the splendor, cultural refinement, glory and the grandeur of Srivijaya empire that once succeed on unifying the western parts of Indonesian archipelago and Malay world generally.
Saman (or the dance of a thousand hands) is one of the most popular dances in Indonesia.Its origin is from the Gayo ethnic group from Gayo Lues, Aceh province, Indonesia, and is normally performed to celebrate important occasions. [1]