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The post-war stance in Yugoslavia towards folklore, and with it folk music, was inspired by the Soviet ideals of a culture that was neither bourgeois nor peasant, but new. [3] Many of the Yugoslav folk music that emerged in the beginning of the post-revolutionary period were seen as a reflection of the project of building an ideologically and ...
Many eminent former Yugoslav Pop and Rock artists composed children's music, mostly educational. The SFR Yugoslav system through its media encouraged children to practise the traditional folk music and dances, as well as to listen to pop and rock music, contrary to the kitschy "novokomponovana narodna muzika".
Yugoslav music people (3 C, 1 P) S. Yugoslav songs (5 C, 2 P) Songs in Serbo-Croatian (3 C, 5 P) Y. ... Balkan folk music; C. Concert Yutel for Peace; K. Kulušić ...
The Ilidža Folk Music Festival (Bosnian: Festival narodne muzike Ilidža; Serbian Cyrillic: Фестивал народне музике Илиџа) is the oldest living and premier folk music festival in the Former Yugoslavia. [1] [2] [3] It is held annually in Ilidža, Sarajevo, Bosnia and Herzegovina.
Part of music press and cultural public described the albums as kitsch and accused the bands of promoting bad taste, comparing the folk elements in the bands' works to Yugoslav "newly-composed folk music", which was at the time denounced in Yugoslavia by the largest part of both the academic public and the pop culture media.
Jugoslavijo, commonly known by its first verse Od Vardara pa do Triglava (From Vardar to Triglav) is a 1974 Yugoslav folk song written by a Belgrade lawyer and compositor Milutin Popović Zahar and composed and sung by Danilo Živković.
Turbo-folk is a subgenre of contemporary South Slavic pop music that initially developed in Serbia during the 1990s as a fusion of techno and folk. The term was an invention of the Montenegrin singer Rambo Amadeus , who jokingly described the aggressive, satirical style of music as "turbo folk". [ 1 ]
"Modern" folk was referred to as "novokomponovana narodna muzika" ("newly composed folk music") for a while, although the term went out of use in favor of simply "narodna" or "folk". It is based on various influences, sevdah stories with music of Serbia and/or Turkey often with incorporated elements of pop music.