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The first camera to be formatted for the new film was the Kodak M2. During the late 1960s, cameras were only formatted to film at 18 frames per second, but as technology improved, speeds such as 24 frame/s (the motion-picture standard) and faster speeds (for slow-motion filming) were incorporated into camera mechanics.
In 2015, Logmar introduced a limited-edition completely new Super 8 camera, [48] and in 2016, Kodak showed a concept of a new Super 8 camera at the 2016 CES expo. [49] There are literally millions of Super 8 cameras that are still available and viable because of manufacturing methods back in the 1960s and 1970s.
I walk in, past the glass shelves with film rolls on display, to join a group of people huddled around the prototype of Super 8, the company's "new" film camera that made its debut 50 years ago.
Another criticism of Super 8 was that more sophisticated standard 8 mm cameras permit backwind of the film – difficult but not impossible with a Super 8 cartridge – enabling simple double-exposure and dissolve effects to be made in-camera. Finally, Super 8's smaller sprocket holes, while allowing a larger frame size, were also inherently ...
Super 8 mm, 8 mm and Standard (double) 8 mm formats Standard and Super 8 mm film comparison In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through.
Super 8mm Film 1965-1970s The advent of 8mm film kicked off the era of amateur filmmaking, but the Super 8mm format was an even bigger hit with inexperienced auteurs, who found it easier to use ...
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