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The name Tarot de Marseille is not of particularly ancient vintage; it was coined as late as 1856 by the French card historian Romain Merlin, and was popularized by French cartomancers Eliphas Levi, Gérard Encausse, and Paul Marteau who used this collective name to refer to a variety of closely related designs that were being made in the city of Marseilles in the south of France, a city that ...
Jean-Baptiste Alliette (Etteilla) at his work table, from the Cours théorique et pratique du livre de Thot (1790).. Etteilla, the pseudonym of Jean-Baptiste Alliette (1 March 1738 – 12 December 1791), was the French occultist and tarot-researcher, who was the first to develop an interpretation concept for the tarot cards and made a significant contribution to the esoteric development of the ...
The Moon (XVIII) from the Rider–Waite tarot deck. The Moon (XVIII) is the eighteenth trump or Major Arcana card in most traditional tarot decks. It is used in game playing as well as in divination. An original card from the tarot deck of Jean Dodal of Lyon, a classic "Tarot of Marseilles" deck. The deck dates from 1701 to 1715.
French tarot players abandoned the Marseilles tarot in favor of the Tarot Nouveau around 1900, with the result that the Marseilles pattern is now used mostly by cartomancers. Etteilla was the first to produce a bespoke tarot deck specifically designed for occult purposes around 1789.
Jean-Claude Flornoy (Paris, France, 1950 – Sainte-Suzanne, France, 24 May 2011) was a French specialist of the Tarot of Marseille, a writer and card maker working on bringing back to life historical Tarot decks. He especially worked on restoring the Jean Noblet and Jean Dodal decks.
Tarot experts have defined the Magician in association with the Fool, which directly precedes it in the sequence; Rachel Pollack refers to the card as "in the image of the trickster-wizard". [11] A particularly important aspect of the card's visual symbolism in the Rider–Waite deck is the magician's hands, with one hand pointing towards the ...
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