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He wanted his painting to show the contrasting world views of Napoleon and Pius, particularly the latter's moral dilemma in dealing with the perceived evil of the domineering French emperor. [ 5 ] It was exhibited at the Royal Academy 's 1836 Summer Exhibition at Somerset House . [ 6 ]
Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Napoleon ...
The Emperor Napoleon in His Study at the Tuileries (1812), exhibiting the hand-in-waistcoat gesture. The hand-in-waistcoat (also referred to as hand-inside-vest, hand-in-jacket, hand-held-in, or hidden hand) is a gesture commonly found in portraiture during the 18th and 19th centuries. The pose appeared by the 1750s to indicate leadership in a ...
Napoleon's Tomb' (French title: L'Apothéose de Napoléon) is an 1821 oil painting by the French artist Horace Vernet. [ 1 ] [ 2 ] An allegory , it depicts the apotheosis of the former emperor of France Napoleon following his death in exile on the island of Saint Helena .
Napoleon's Return from Elba (French: Retour de Napoleon d' Isle d'Elbe) is an 1818 history painting by the German-born French artist Charles de Steuben. [1] [2] It depicts the scene at Laffrey near Grenoble on 7 March 1815 when Napoleon, having escaped from Elba, is acclaimed by the men of the 7th Regiment of the Line.
The painting depicts Napoleon in a room of the Palace of Fontainebleau. He appears with a thoughtful expression, while he sits informally in a chair. He has the appearance of someone who has just returned from combat, while he also wears his uniform of colonel of the horse grenadiers of the Imperial Guard, with his grey frock coat.
French Campaign, 1814 shows Napoleon Bonaparte riding a white horse, leading his troops on a cold, snowy road. [2]: 211 The painting captures the hard and gloomy moments of Napoleon’s retreat during the French Campaign of 1814, when the forces of the Sixth Coalition advanced into France.
The characters in the painting. Napoleon I (1769–1821), is standing, dressed in coronation robes similar to those of Roman emperors. Others are merely passive spectators. In the actual painting it is possible to see the outline of what was originally painted: Napoleon holding the crown above his own head, as if placing it on himself.
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