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Three Friends and a Hundred Birds by Bian Wenjin, Ming dynasty. The Three Friends of Winter are common in works of art from Chinese culture [9] and those cultures influenced by it. The three are first recorded as appearing together in a ninth-century poem by the poet Zhu Qingyu (朱慶餘) of the Tang dynasty. [8]
Winter Words in Various Moods and Metres is the last, posthumous collection of poems by English poet Thomas Hardy, and was published in 1928. The collection shows Hardy continued his metrical experimentation to the end, [ 1 ] with his poetic energies undiminished.
The 'three friends in winter' is a motif frequently seen in Chinese art. The motif consists of pines, bamboos, and plum trees or else plum trees and a stone. The symbolism is that of longevity, constancy, and flowering during winter, before it is yet spring.
"There are three friends of winter: the pine tree, the plum blossom, and bamboo,' Shanghai Papa once told me." - from Bend, Not Break: A Life in Two Worlds, by Ping Fu The above quote exemplifies ...
The pine is traditionally known as one of the 'Three Friends of Winter' in China. In the poem it is not the fact of the flower's rapid growth that makes the main contrast but the ability of the tree to withstand adverse conditions.
Old Man Winter, personification of winter. Frau Holle Germanic mother frost. Skaði (sometimes anglicized as Skadi, Skade, or Skathi) is a jötunn and goddess associated with bowhunting, skiing, winter, and mountains in Norse mythology; Three Friends of Winter in Chinese art, the plum, bamboo and pine. Nane Sarma, Grandma Frost, Iranian folklore.
In the seventh month of the guisi year of the Yongle reign, Bian Jingzhao of Longxi painted 'Three Friends and a Hundred Birds' at the official's residence in 'Chang'an'. Note 1: The guisi year of the Yongle reign translates to the year 1413.
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