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WWOZ (90.7 FM) is a non-profit community-supported radio station in New Orleans. It is owned by the New Orleans Jazz & Heritage Foundation. The station specializes in music from or relating to the cultural heritage of New Orleans and the surrounding region of Louisiana. The playlist includes jazz, blues, local, regional and world music. The ...
Paulin's band was featured in Always for Pleasure, an award-winning documentary about New Orleans culture. Paulin recorded in the early 1960s with Emile Barnes on Icon Records, and in 1980 his brass band made an LP released on Folkways. He also performs on the CD by his sons' 1996 Paulin Brothers Jazz Band The Tradition Continues.
In 1969, Lee co-founded the New Orleans Jazz Workshop. [1] Dizzy Gillespie brought Lee into his band in 1969; soon after he worked with Roy Ayers (1971) and Sonny Rollins (1972–1975). [ 1 ] Lee then formed a quartet and continued to work as a sideman.
The name French Quarter is misleading in that many of the buildings date from the late-18th century, after the two New Orleans fires of 1788 and 1794 destroyed over 80 per cent of the city.
Doreen J. Ketchens (born October 3, 1966) is an American jazz clarinetist who performs Dixieland and trad jazz.She has performed at concert halls, music festivals, and U.S. embassies, as well as in decades of weekly performances in Dixieland's tradition in the Royal Street Performing Arts Zone in the French Quarter of New Orleans with her band, Doreen's Jazz New Orleans.
Originally named the Archive of New Orleans Jazz and later renamed the William Ransom Hogan Jazz Archive, [2] it is often simply referred to as the Hogan Jazz Archive. [3] As of 2001, the archive was the world's largest jazz archive, with oral histories of more than 500 musicians of the genre.
The Olympia Brass Band was a training ground for a whole new generation of jazz musicians including clarinetist Joseph Torregano, saxophonist Byron "Flea" Bernard, drummers Tanio Hingle and Kerry Hunter, and trumpeters Kenneth Terry and "Kid" Mervin Campbell.
Instead, New Orleans jazz bands began incorporating a style known as "ragging"; this technique implemented the influence of ragtime 2/4 meter and eventually led to improvisation. In turn, the early jazz bands of New Orleans influenced the playing of the marching bands, who in turn began to improvise themselves more often.
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