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Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms , melodies , and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage .
On review aggregator Metacritic the album holds a score of 89/100, based on 6 reviews, indicating "universal acclaim". [8] Thom Jurek of AllMusic praised the compilation, rating it 4.5/5 stars and calling it "an indispensable addition not only to the Analog Africa catalog but to the burgeoning cultural conversation around the significance, import, and variety of techniques, innovations ...
In the late 1930s and early 1940s, a fusion of bambuco and Afro-Cuban music was developed in Colombia by artists such as Emilio Sierra, Milciades Garavito, and Diógenes Chaves Pinzón, under the name rumba criolla (creole rumba). [19] Rumba criolla is classified into different regional styles such as rumba antioqueña and rumba tolimense. [20]
Rumba on the River: A History of the Popular Music of the Two Congos. Verso. ISBN 978-1859843680. Tabu Ley at kenyapage.net; Rumba on the River; MusicWeb Encyclopaedia of Popular Music; Discography at mp3.com; Tabu Ley biography and discography Archived 2013-12-11 at the Wayback Machine at World Music Central
Jesse Samba Wheeler, "Rumba Lingala As Colonial Resistance", Image & Narrative, March 2005. "Congo music", AfroPop Worldwide. Banning, Eyre, Interview With Simaro Lutumba, Kinshasa, Congo, 2002. "Télé Zaïre 1975 Franco & le T.P. O.K. Jazz" TPOK Jazz discography at Discogs; Ok Jazz at IMDb; TPOK Jazz at IMDb
"Mario" is a Congolese rumba song. It was composed in the key of C-flat major, with a moderate tempo of 115 beats per minute. "Mario" has a C, F, G, F chord progression throughout the song. The song begins with Franco's mi-solo guitar, he is then joined by rhythm guitarist Gégé Mangaya.
In 1994 the song was covered by ex-OK Jazz musician Sam Mangwana and the Fania All-Stars for the former's album, entitled Rumba Music. [3]African Jazz vocalist Tabu Ley Rochereau later recorded "African Jazz Mokili Mobimba" as a solo artist to be the leading track on his 1996 live album Africa Worldwide.
The ensembles, and ultimately the music itself, also adopted the term tahona. [2] As a genre, tahona is considered a style of Cuban rumba , and together with yambú it is one of the oldest. [ 3 ] However, it differs from the canonical rumba styles in the fact that it developed in the eastern part of Cuba, the Oriente Province , due to the ...
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