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Mic Check is a phrase used by human microphones. It may also refer to: a soundcheck "Mic Check" (Hadouken! song), a song by Hadouken! "Mic Check" (Juelz Santana song), a song by Juelz Santana "Mic Check", a recording on the B-side of Imogen Heap's single "Headlock" "Mic Check", a song by the Italian rapper Noyz Narcos featuring Salmo
This technique combines both the volume difference and the timing difference as sound arrives on- and off-axis at two cardioid microphones spread to a 110° angle, and spaced 17 cm apart. [1] The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model.
“Sugar Water Cyanide” by Rebecca Black “Rebecca Black, perhaps best known for the 2011 viral hit ‘Friday,’ is still making music, however now the playground isn’t at the school—it ...
When the sample was cleared for use, "Mic Check" was announced as a single. There are three versions of the song; the album version, the radio edit, which is exactly the same as the album version but with the sample reinstated, and a remix which contains the sample and is a heavier, dancier version of the song.
Instrumental use of microphones has been developed by many experimental composers, musicians and sound artists. They use microphones in unconventional ways, for example by preparing them with objects, moving them around or using contact microphones to colour the sound and be able to amplify otherwise very silent sounds.
The song remained atop the chart for a second consecutive week. "Texas Hold 'Em" also reached No. 1 on Billboard's Hot Country Songs chart, becoming the first song by a Black artist to hold both ...
One way to test a loudspeaker requires an anechoic chamber, with an acoustically transparent floor-grid. The measuring microphone is normally mounted on an unobtrusive boom (to avoid reflections) and positioned 1 metre in front of the drive units on the axis with the high-frequency driver. While this can produce repeatable results, such a 'free ...
A similar technique is known as the ORTF stereo technique, devised by the French ORTF. With this technique is the angle between the microphone axes α = ± 55° = 110° and the distance between the cardioid microphones (microphone basis) is in this case a = 17 cm and gives a total recording angle of 96°. The choice between one and the other ...