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Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
The evolution of the rune in the Elder Futhark during the centuries. The Elder Futhark s rune is attested in main two variants, a "Σ shape" (four strokes), more prevalent in earlier (3rd to 5th century) inscriptions (e.g. Kylver stone), and an "S shape" (three strokes), more prevalent in later (5th to 7th century) inscriptions (e.g. Golden horns of Gallehus, Seeland-II-C).
The Viking runestones are runestones that mention Scandinavians who participated in Viking expeditions. This article treats the runestone that refer to people who took part in voyages abroad, in western Europe, and stones that mention men who were Viking warriors and/or died while travelling in the West.
As mentioned above, Viking shields were occasionally decorated with paintings and poetry. The commonest designs on shields were simple crosses or derivations of sun wheels or segments. [53] Elegant designs on their weapons would sometimes feature precious metals like copper or silver as well adding a layer of artistry to their warrior identity.
Tattooing was not a simple marking on the skin: it was a process that highlighted cultural connections to Indigenous ways of knowing and viewing the world, as well as connections to family, society, and place. [26]: xii There is no way to determine the actual origin of tattooing for Indigenous people of North America.
The elk is a common image in many Baltic Finnic petroglyphs. [note 1]Baltic Finnic paganism, or Baltic Finnic polytheism was the indigenous religion of the various of the Baltic Finnic peoples, specifically the Finns, Estonians, Võros, Setos, Karelians, Veps, Izhorians, Votes and Livonians, prior to Christianisation.
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The j rune was rendered superfluous due to Old Norse sound changes, but was kept with the new sound value of a. The old z rune was kept (transliterated in the context of Old Norse as ʀ) but moved to the end of the rune row in the only change of letter ordering in Younger Futhark. The third ætt was reduced by four runes, losing the e, ŋ, o ...
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