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The best of women were virgins, as "the construction of the female chaste body as a sign of fallen humanity's alienation from its own properly angelic nature" only furthered the gap between pure virgins and women of a lower tier who were virgins no longer. [11] In The Romaunt of the Rose, "women are synonymous with sensual desire." The ...
For his part, Hans Holbein the Younger was preferably the author of religious paintings and portraits, dealing little with the nude, of which, however, we must highlight his magnificent The Body of the Dead Christ in the Tomb (1521). [98] The Body of the Dead Christ in the Tomb (1521), by Hans Holbein the Younger, Kunstmuseum, Basel.
The intersection of their identities, as Nelson asserts, creates a "doubly fetishized black female body". Women of color are not represented to the degree that white women are in nude art from the Renaissance to the 1990s, and when they are represented it is in a different way than white women.
In the medieval period, Islamic norms became more patriarchal, and very concerned with the chastity of women before marriage and fidelity afterward. Women were not only veiled, but segregated from society, with no contact with men not of close kinship, the presence of whom defined the difference between public and private spaces. [100]
The vagina represents a powerful symbol as the yoni in Hindu thought. Pictured is a stone yoni found in Cát Tiên sanctuary, Lam Dong, Vietnam.. Various perceptions of the vagina have existed throughout history, including the belief that it is the center of sexual desire, a metaphor for life via birth, inferior to the penis, visually unappealing, inherently unpleasant to smell, or otherwise ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
In looking at coroner records for 14th-century rural England detailing the accidental deaths of 1,000 people, which represent the lives of peasants more clearly, Barbara Hanawalt found that 30% of women died in their homes compared to 12% of men; 9% of women died on a private property (i.e. a neighbour's house, a garden area, manor house, etc ...
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