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The Buddhist cosmology is not a literal description of the shape of the universe; [2] rather, it is the universe as seen through the divyacakṣus (Pali: dibbacakkhu दिब्बचक्खु), the "divine eye" by which a Buddha or an arhat can perceive all beings arising (being born) and passing away (dying) within various worlds; and can ...
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The symbol depicts two half-closed eyes, a style sometimes referred to as the Adamantine View (Sanskrit: Vajradrsti). [2] In between and slightly above the eyes is a circle or spiral which represents the urna , [ 3 ] one of the thirty-two characteristics of a great man ( Sanskrit : Mahāpuruṣalakṣaṇa ) in Buddhism. [ 2 ]
In Buddhism, the Dharma Chakra is widely used to represent the Buddha's Dharma (Buddha's teaching and the universal moral order), Gautama Buddha himself and the walking of the path to enlightenment, since the time of Early Buddhism. [15] [1] [note 2] The symbol is also sometimes connected to the Four Noble Truths, the Noble Eightfold Path and ...
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
Despite the invocation of Buddhist language and symbols, the law wheel as understood in Falun Gong has distinct connotations, and is held to represent the universe. [2] It is conceptualized by an emblem consisting of one large and four small swastika symbols, representing the Buddha, [3] and four small Taiji (yin-yang) symbols of the Daoist ...
Indra's net (also called Indra's jewels or Indra's pearls, Sanskrit Indrajāla, Chinese: 因陀羅網) is a metaphor used to illustrate the concepts of Śūnyatā (emptiness), [1] pratītyasamutpāda (dependent origination), [2] and interpenetration [3] in Buddhist philosophy. The metaphor's earliest known reference is found in the Atharva Veda.
Bhutanese thangka of Mt. Meru and the Buddhist universe (19th cent., Trongsa Dzong, Trongsa, Bhutan).. Mount Meru (Sanskrit/Pali: मेरु)—also known as Sumeru, Sineru or Mahāmeru—is a sacred, five-peaked mountain present within Hindu, Jain and Buddhist cosmologies, revered as the centre of all physical, metaphysical and spiritual universes. [1]