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"Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry. The poem lapsed into public domain in 2019. [2]
Handwritten version of 'Happiness Makes Up in Height For What It Lacks in Length' by Robert Frost. Found inscribed in a Robert Frost book in the Special Collections Library at Duke University. Date of signature in the book predates formal release in publication of the poem. The Gift Outright; The Most of It; Come In; All Revelation [2] A ...
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, [2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
New Hampshire is a 1923 poetry collection by Robert Frost, which won the 1924 Pulitzer Prize for Poetry. [1] The book included several of Frost's most well-known poems, including "Stopping by Woods on a Snowy Evening", [2] "Nothing Gold Can Stay" [3] and "Fire and Ice". [4] Illustrations for the collection were provided by Frost's friend ...
A special edition was printed after the book won the Pulitzer Prize with a red band around the front and back covers. The front cover banner read: "Pulitzer Prize Poems: 1930: This edition contains Mr. Frost's complete work to date; including six poems never hitherto published and New Hampshire, for which he was awarded the Pulitzer Prize in 1923."
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance". [2]
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Despite these losses, Frost continued to work on his poetry and eventually fell in love with his secretary Kay Marrison, who became the primary inspiration of the love poems in this collection. This collection is the last of Frost's books that demonstrates the seamless lyric quality of his earlier poems.
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