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The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanised: Homērikoì húmnoi) are a collection of thirty-three ancient Greek hymns and one epigram. [a] The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult.
The ode is written in the form of a prayer to Aphrodite, goddess of love, from a speaker who longs for the attentions of an unnamed woman. [19] Its structure follows the three-part structure of ancient Greek hymns, beginning with an invocation, followed by a narrative section, and culminating in a request to the god. [20]
Homeric Hymn 5 To Aphrodite, in Homeric Hymns. Homeric Apocrypha. Lives of Homer, edited and translated by Martin L. West, Loeb Classical Library No. 496, Cambridge, Massachusetts, Harvard University Press, 2003. ISBN 978-0-674-99606-9. Online version at Harvard University Press.
He did not heed her warning and was struck with a thunderbolt, which in different versions either blinds him or kills him. [5] The principal early narrative of Aphrodite's seduction of Anchises and the birth of Aeneas is the Homeric Hymn (5) to Aphrodite. According to the Bibliotheca, Anchises and Aphrodite had another son, Lyrus, who died ...
[4] [5] By recalling the opening to poems by Homer, Ennius, and Hesiod (all of which begin with an invocation to the Muses), the proem to De rerum natura conforms to epic convention. The entire proem is also written in the format of a hymn, recalling other early literary works, texts, and hymns and in particular the Homeric Hymn to Aphrodite. [6]
The Orphic Hymns are a collection of eighty-seven ancient Greek hymns addressed to various deities, which were attributed to the mythical poet Orpheus in antiquity. They were composed in Asia Minor, most likely around the time of the 2nd or 3rd centuries AD, and were used in the rites of a religious community which existed in the region.
She [Aphrodite] went to Kypros, to Paphos, where her precinct is and fragrant altar, and passed into her sweet-smelling temple. [9] Strabo described it: Palaipaphos [in Kypros], which last is situated at about ten stadia above the sea, has a mooring-place, and an ancient temple of Aphrodite Paphia. Then [beyond that] to the promontory Zephyria ...
[5] The abstraction μάχαι (battles) was also associated with ὑσμῖναί (combats) in the Homeric Hymn 5 To Aphrodite, and with ἀνδροκτασίαι (Slaughters) in Homer's, Iliad. [6] That the Machai, the personification of battle and wars, would be considered to be the sons of Eris, the goddess of strife and discord, is fitting ...