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The Tz'enah Ur'enah (Hebrew: צְאֶנָה וּרְאֶינָה Ṣʼenā urʼenā "Go forth and see"; Yiddish pronunciation: [ˌʦɛnəˈʁɛnə]; Hebrew pronunciation: [ʦeˈʔena uʁˈʔena]), also spelt Tsene-rene and Tseno Ureno, sometimes called the Women's Bible, is a Yiddish-language prose work whose structure parallels the weekly Torah portions and Haftarahs used in Jewish prayer ...
In North American and other diaspora Jewish communities, the use of "shiksa" reflects more social complexities than merely being a mild insult to non-Jewish women. A woman can only be a shiksa if she is perceived as such by Jewish people, usually Jewish men, making the term difficult to define; the Los Angeles Review of Books suggested there ...
A commentary written for women on the weekly parashot by Rabbi Jacob ben Isaac Ashkenazi in 1616, the Tseno Ureno (צאנה וראינה), remains a ubiquitous book in Yiddish homes to this day. Women wrote old Yiddish literature infrequently, but several collections of tkhines (personal prayers which are not part of liturgy) were written by ...
A Book of Jewish Women’s Prayers : Translations from the Yiddish / Selected and with Commentary by Norman Tarnor (1995) ISBN 1-56821-298-4; Kay, Devra. Seyder Tkhines : the Forgotten Book of Common Prayer for Jewish Women / Translated and Edited, with Commentary by Devra Kay. (2004) ISBN 0-8276-0773-3
Lempel was born in Khorostkiv, where she was educated at a cheder and a Hebrew elementary school. [1] Her father was a kosher butcher. [2] In 1929, she left Ukraine for Paris where she stayed until 1939, when she immigrated to New York. [3]
She also studied Chassidic music, Yiddish folk songs, and Jewish songs in different languages. [5] Her interest in Jewish culture was sparked by an interfaith visit to Auschwitz. [1] Her musical projects include Jewish Polesye, [6] Li-La-Lo (based on the Yiddish-language cabarets of Poland called kleynkunst and Tel Aviv [7]), and Jewish Tango. [5]
The word, derived from Yiddish, has been used historically (and often disparagingly) to describe a usually blond, non-Jewish woman who tempts an otherwise God-fearing man to stray from his ...
Rosenfarb continued to write in Yiddish. She published three volumes of poetry between 1947 and 1965. In 1972, she published what is considered to be her masterpiece, Der boim fun lebn (דער בוים פֿון לעבן), a three-volume novel detailing her experiences in the Łódź Ghetto, which appeared in English translation as The Tree of Life.