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Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster used in architecture and sculpture. The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1]
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
In discussing Leon Battista Alberti's use of pilasters, which Alberti reintroduced into wall-architecture, Rudolf Wittkower wrote: "The pilaster is the logical transformation of the column for the decoration of a wall. A pilaster appears with a capital. [3] and entablature, also in "low-relief" or flattened against the wall.
Pilasters might replace columns, as in other contexts. Sir John Summerson suggests that the omission of the doubled columns may be allowed, but the term "Palladian motif" should be confined to cases where the larger order is present. [29] Claydon House (begun 1757) – the Venetian window in the central bay is surrounded by a unifying blind ...
The design is for a completely symmetrical building having a square plan with four facades, each of which has a projecting portico. The whole is contained within an imaginary circle which touches each corner of the building and centres of the porticos (illustration, left). The name La Rotonda refers to the central circular hall with its dome.
Archaeologists and restorers have installed scaffolding and temporary roofing will be going over the top, and plaster glue has been injected into the walls to prevent the frescoes from peeling away.
The interior is richly decorated, with two impressive ranges of carved limestone Corinthian columns creating colonnades along the nave, completed by the pressed zinc ceilings, wooden pews and religious sculptures. Light floods in from the clerestory above. On the ceiling plaster cornices frame the richly ornamented pressed-zinc panels. [4] "The ...
Many converts, both from professional artists' ranks and from among the intellectual class as a whole, helped spread the ideas of the movement. [5] The influence of the Arts and Crafts movement led to the decorative arts being given a greater appreciation and status in society and this was soon reflected by changes in the law.
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