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Photographic processing or photographic development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light. [1]
Next, the film is developed to completion in the colour developer bath, which contains CD-3 as the colour developing agent. When film enters the colour developer, the reversal agent absorbed by the emulsion in the reversal bath chemically fogs (or "exposes") the unexposed silver halide (if it has not already been fogged by light in the previous ...
Another use for a darkroom is to load film in and out of cameras, development spools, or film holders, which requires complete darkness. Lacking a darkroom, a photographer can make use of a changing bag , which is a small bag with sleeved arm holes specially designed to be completely light proof and used to prepare film prior to exposure or ...
The film base needs to be transparent but with some density, perfectly flat, insensitive to light, chemically stable, resistant to tearing and strong enough to be handled manually and by camera mechanisms and film processing equipment, while being chemically resistant to moisture and the chemicals used during processing without losing strength ...
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
C-41 is a chromogenic color print film developing process introduced by Kodak in 1972, [citation needed] superseding the C-22 process.C-41, also known as CN-16 by Fuji, CNK-4 by Konica, and AP-70 by AGFA, is the most popular film process in use, with most, if not all photofinishing labs devoting at least one machine to this development process.
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