Search results
Results from the WOW.Com Content Network
Dorothea Lange (born Dorothea Margaretta Nutzhorn; May 26, 1895 – October 11, 1965) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA).
Florence Owens Thompson (born Florence Leona Christie; September 1, 1903 – September 16, 1983) was an American woman who was the subject of Dorothea Lange's photograph Migrant Mother (1936), considered an iconic image of the Great Depression.
The legacy of Dust Bowl migrants is a testament to the resilience and determination of those who faced extreme adversity. Their experiences have been immortalized in literature, music, and art, reflecting their enduring impact on American culture and history. The documentation efforts of photographers like Dorothea Lange ensure that the ...
Dorothea Lange’s stark and surreal black and white photography of Depression-era life, eyewitness accounts from those who survived the Dust Bowl, and apocalyptic footage of looming dust clouds ...
Original – Dorothea Lange's "Broke, baby sick, and car trouble!", showing Missouri migrants to California in 1937. Reason A fine photograph by Dorothea Lange that helps get the desperateness of the dust bowl migrants across. Articles in which this image appears Economic history of the United States, Dorothea Lange, Dust Bowl FP category for ...
Florence Owens Thompson seen in the photo Migrant Mother by Dorothea Lange "Dust bowl farmers of west Texas in town", photograph taken by Dorothea Lange, June 1937, in Anton, Texas. The crisis was documented by photographers, musicians, and authors, many hired during the Great Depression by the federal government.
Migrant Mother is a photograph taken in 1936 in Nipomo, California, by American photographer Dorothea Lange [1] during her time with the Resettlement Administration (later the Farm Security Administration). [2]
Walker Evans, Dorothea Lange, and Gordon Parks were three of the most famous FSA alumni. [12] The FSA was also cited in Gordon Parks' autobiographical novel, A Choice of Weapons. The FSA's photography was one of the first large-scale visual documentations of the lives of African-Americans. [13]