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"Without Love (There is Nothing)" is a song written by Danny Small and originally recorded by Clyde McPhatter in 1957. McPhatter's version peaked at number six on the R&B Best Seller chart and number nineteen on Billboard Hot 100 .
Though power chords are not true chords per se, as the term "chord" is generally defined as three or more different pitch classes sounded simultaneously, and a power chord contains only two (the root, the fifth, and often a doubling of the root at the octave), power chords are still expressed using a version of chord notation.
The plaintive ballad reflects on lost love and features strummed acoustic guitar rhythm with pedal steel guitar. The Yardbirds, with guitarist Jimmy Page, recorded an early version of the song in 1968, titled "Knowing That I'm Losing You". When it was released on the Page-produced 2017 album Yardbirds '68, Keith Relf's vocal was left out ...
"Nothing's Gonna Change My Love for You" is a song written by composer Michael Masser and lyricist Gerry Goffin. It was originally recorded by American singer and guitarist George Benson for his 1985 studio album 20/20 , released by Warner Bros. Records .
The opening of "Next Year" was used as the theme song for the NBC television series Ed (2000–2004). The show's creators, Rob Burnett and Jon Beckerman (formerly of the Late Show with David Letterman) used the song despite knowledge of production company Viacom's insistence that they own the rights to the show's theme song.
You can go from a jazzy number that spells out letters (like “L-O-V-E” by Nat King Cole) to a rock hit that breaks down the true meaning of love (like “I Want to Know What Love Is” by ...
"Moonglow" appears in jazz fake books and lead sheets in the key of G, though it is also thought to originally be in the key of C. [1] The melodic riff of the A section is composed of a repeated minor third interval followed by a major third interval and then a repeated note.
There Is Nothing Left to Lose is the third studio album by American rock band Foo Fighters, released on November 2, 1999, through Roswell and RCA Records. It marked the first studio credit for drummer Taylor Hawkins , and is often seen as a departure from the band's previous work, showcasing a softer, more experimental sound.