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Layne Beachley was born Tania Maris Gardner on 24 May 1972 in Sydney. [9] Her mother was only 17 years old and unmarried so Layne was adopted by Neil and Valerie Beachley, who lived in nearby Manly. When Layne was only six years old, Valerie suffered a post-operative brain haemorrhage and died, leaving Layne and her brother to be raised by Neil ...
Beachley Classic is an event on the ASP World Surfing Tour. The event is held every year at Manly Beach or Dee Why in Sydney and has the richest prize money in Women's surfing . [ 1 ]
Guests included Kerri-Anne Kennerley, Layne Beachley, Kirk Pengilly, Sophie Lowe, Jonathon Coleman and Lizzy Lovette. The Movie Plot... Sherlock Holmes and his trusty sidekick Dr. Watson join forces to outwit and bring down their fiercest adversary, Professor Moriarty. Director: Guy Ritchie Writers: Kieran Mulroney, Michele Mulroney
Pengilly and wife Layne Beachley in 2012. Pengilly has one daughter, April Rose Pengilly (who is an actress), born in 1988, with his ex-girlfriend Karen Hutchinson. Hutchinson and Pengilly were together for ten years, in which time she toured with the band. [12] In December 1993, Pengilly married singer Deni Hines. The marriage lasted ten ...
On January 28, 1998, Bradshaw successfully towed into and rode a wave with a face allegedly of about 80 feet (24 m). [1] ... He was Layne Beachley's partner, ...
From a song: This is a redirect from a song title to a more general, relevant article such as an album, film or artist where the song is mentioned.Redirecting to the specific album or film in which the song appears is preferable to redirecting to the artist when possible.
[5] Record Collector's Tim Jones noted the differing styles of the album's songs, saying that "The Truth is in Here" is similar to the music of Blackmore's Night, that "River of Time" is reminiscent of Jethro Tull, and that "Beneath the Waves" reminded him of Pink Floyd.
John DeFore of The Hollywood Reporter wrote, "Beneath the Darkness is a teens-in-trouble thriller with barely enough momentum to make it to the end credits" and that "it's clear nobody in the production has any interest [in making a pulpy fun movie]" and "the screenplay is too proud of its going-nowhere literary allusions". [6]