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Turning the screw on a modern violin bow causes the frog (heel) to move, which adjusts the tension on the hair. The kind of bow in use today was brought into its modern form largely by the bow maker François Tourte in 19th-century France. Pernambuco wood, which was imported into France to make textile dye, was found by the early French bow ...
François Xavier Tourte (1747 – 25 April 1835) was a French bow maker who made a number of significant contributions to the development of the bow of stringed instruments, and is considered to be the most important figure in the development of the modern bow. Because of this, he has often been called the Stradivari of the bow. [1] [2]
Baroque bows generally look straight or bent slightly outwards in the middle, with an elegant "swan-bill" pointed head. They are typically made from strong, heavy snakewood. By contrast, a modern bow is made from pernambuco and has a marked inwards bend, particularly when the hair is relaxed, and has a "hatchet" head at right-angles to the stick.
[7] A violin is the "modern form of the smaller, medieval viola da braccio." ("arm viola") [6] The violin is often called a fiddle. "Fiddle" can be used as the instrument's customary name in folk music, or as an informal name for the instrument in other styles of music. [8] The word "fiddle" was first used in English in the late 14th century. [8]
The origin of the violin family is unclear. [1] [2] Some say that the bow was introduced to Europe from the Byzantine Empire and the Islamic world, [3] [4] [5] while others say the bow was not introduced from the Middle East but the other way around, and that the bow may have originated from more frequent contact between Northern and Western Europe.
So, naturally, the violin's owner was happy to hear the German violin itself was worth more than $5,000. But she was absolutely shocked when the French Sartory bow was appraised at $20,000.
The curved bow for violin was firstly constructed by Rolph Schroeder, Kassel, Germany in 1932. Later the Hungarian violinist Emil Telmányi and Knud Vestergaard, a Danish violin- and bowmaker [7] invented a different model for performing Sonatas and Partitas for violin solo by Johann Sebastian Bach.
She was absolutely correct in making that remark. However, good bow technique also requires a good bow. The problem is finding one. John Dalley's bows are just "those" bows. They are finely crafted and produce an unusually warm sound. His understanding of violin playing has made him one of the best modern bow makers."
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