Search results
Results from the WOW.Com Content Network
Examples of Roman-style lettering can be seen in many places across Britain. [97] Kindersley's street sign font is one of the most common designs for street signs in Britain. [76] Use of the Trajan style of lettering has declined somewhat due to changing tastes, with a desire for new styles of lettering.
A technical lettering stencil. Technical lettering is the process of forming letters, numerals, and other characters in technical drawing. It is used to describe, or provide detailed specifications for, an object. With the goals of legibility and uniformity, styles are standardized and lettering ability has little relationship to normal writing ...
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
With the coming of computers, type design became a form of computer graphics. Initially, this transition occurred with a program called Ikarus around 1980, but widespread transition began with programs such as Aldus Freehand and Adobe Illustrator, and finally to dedicated type design programs called font editors, such as Fontographer and FontLab.
These somewhat architectural designs may feel too stiff for body text. [26] Others such as Syntax , Goudy Sans and Sassoon Sans more resemble handwriting, serif typefaces or calligraphy. Frutiger , from 1976, has been particularly influential in the development of the modern humanist sans genre, especially designs intended to be particularly ...
Letter cutting is a form of inscriptional architectural lettering closely related to monumental masonry and stone carving, often practised by artists, sculptors, and typeface designers. Rather than traditional stone carving, where images and symbols are the dominant features, in letter cutting the unique skill is "meticulous setting out and ...
The Jenson roman was an explicitly typographic letter designed on its own terms that declined to imitate the appearance of hand-lettering. Its effect is one of a unified cohesive whole, a seamless fusion of style with structure, and the successful convergence of the long progression of preceding letter styles.
"Optima nova" is a redesign of the original font family, designed by Hermann Zapf and Linotype GmbH type director Akira Kobayashi. [15] [16] The new family contains seven font weights, adding light, demi, and heavy font weights, but removing extra black weight. Medium weight is readjusted to between medium and bold weights in the old family scale.