Search results
Results from the WOW.Com Content Network
[1] The work takes approximately 25 minutes to perform. [2] Daniel Coren has summarised the nature of the recapitulation in the last movement of this sonata. [3] Harald Krebs has noted that Schubert reworked the opening of the second movement of the D. 537 sonata into the opening theme of the finale of the A major piano sonata, D. 959. [4]
first published in E major in an abridged form as Op. Post. 145 no. 1 10 11 [12] Sonata No. 13: Sonate F minor Sep 1818 625 Movements 1 and 4 are fragments. 12 [-] Sonata No. 14: Sonata mov. C-sharp minor 1819 655 unfinished Piano Sonata in C-sharp minor, D. 655: Allegro (fragment) 10 11 13 120 (p) Sonata No. 15: Sonate A major 1819 or 1825 664
VII/2, 1 No. 9 & Anh. No. 10: Piano Sonata, D 575: B major August 1817 Allegro ma non troppo – Andante – Scherzo – Allegro giusto 576 576 (1867) XI No. 7: VII/2, 4: 13 Variations on a theme by Anselm Hüttenbrenner: A minor August 1817 For piano 577 577 (1895) XX, 10 No. 597: IV, 10: Entzückung an Laura, D 577 Laura, über diese Welt ...
Schubert at the Piano by Gustav Klimt. Schubert's three last sonatas have many structural features in common. [18] D. 958 can be considered the odd one of the group, with several differences from the remarkably similar structure of D. 959 and D. 960.
P. Piano Sonata in A major, D 664 (Schubert) Piano Sonata in A major, D 959 (Schubert) Piano Sonata in A minor, D 537 (Schubert) Piano Sonata in A minor, D 784 (Schubert)
D 154, Piano Sonata in E major (1815, fragment; similarity with the first movement of the Piano Sonata in E major, D 157) I. Allegro (fragment) D 157, Piano Sonata in E major (1815, unfinished – first three movements are extant) I. Allegro ma non troppo II. Andante III. Menuetto. Allegro vivace – Trio
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
The Violin Sonata No. 4 (also known as the Duo or Grand Duo) in A major, Op. posth. 162, D 574, for violin and piano by Franz Schubert was composed in 1817.This sonata, composed one year after his first three violin sonatas, was a much more individual work, showing neither the influence of Mozart, as in these previous works, nor of Rossini, as in the contemporaneous 6th Symphony.