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Vaudeville (/ ˈ v ɔː d (ə) v ɪ l, ˈ v oʊ-/; [1] French: ⓘ) is a theatrical genre of variety entertainment which began in France at the end of the 19th century. [2] A Vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs ...
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
Vaudeville took the form of a series of separate, unrelated acts each featuring different types of performance, including classical and popular musical acts, dance performances, comedy, animal acts, magic and illusions, female and male impersonators, acrobatic and athletic feats, one-act plays or scenes from plays, lectures, minstrels, or even ...
Classic female urban or vaudeville blues singers were popular in the 1920s, among them Mamie Smith, Ma Rainey, Bessie Smith, and Victoria Spivey. Mamie Smith, more a vaudeville performer than a blues artist, [36] was the first African-American to record a blues in 1920; her "Crazy Blues" sold over 75,000 copies in its first month. [37]
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...
Blues dancing is a family of historical dances that developed alongside and were danced to blues music, or the contemporary dances that are danced in that aesthetic. It has its roots in African-American dance, which itself is rooted in sub-Saharan African music traditions and the historical dances brought to the United States by European ...
Vaudeville took the form of a series of separate, unrelated acts each featuring a different types of performance, including classical and popular musical acts, dance performances, comedy, animal acts, magic and illusions, female and male impersonators, acrobatic and athletic feats, one-act plays or scenes from plays, lectures, minstrels, or ...
Florence Hines (1868–1924) was a Black American vaudeville entertainer who was best known for performing throughout the United States in the 1890s as a male impersonator with Sam T. Jack's Creole Burlesque show. In her heyday, she was described as 'the greatest living female song and dance artist" [1] and 'the queen of all male impersonators ...