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Maskanda (or Maskandi) is a kind of Zulu folk music that is evolving with South African society. Ethekwini Online describes it as "The music played by the man on the move, the modern minstrel, today’s troubadour. It is the music of the man walking the long miles to court a bride, or to meet with his Chief; a means of transport.
The Zulu Kingdom (/ ˈ z uː l uː / ZOO-loo; Zulu: KwaZulu), sometimes referred to as the Zulu Empire, was a monarchy in Southern Africa.During the 1810s, Shaka established a standing army that consolidated rival clans and built a large following which ruled a wide expanse of Southern Africa that extended along the coast of the Indian Ocean from the Tugela River in the south to the Pongola ...
Texas in the United States. The U.S. state of Texas has long been a center for musical innovation and is the birthplace of many notable musicians. Texans have pioneered developments in Tejano and Conjunto music, Rock 'n Roll, Western swing, jazz, Piano, punk rock, country, hip-hop, electronic music, gothic industrial music, religious music, mariachi, psychedelic rock, zydeco and the blues.
Texas has a significant live music scene in Austin, with the most music venues per capita than any other U.S. city, befitting the city's official slogan as The Live Music Capital of the World. Austin's music revolves around the many nightclubs on 6th Street and an annual film, music, and multimedia festival known as South by Southwest.
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CENTRAL TEXAS (FOX 44) – If you listened to most any Spanish radio, you’ve probably heard the soulful sounds of a Central Texas native who has won five Grammys. In his first interview since ...
This map is the earliest recorded document of Texas history. [ 18 ] Between 1528 and 1535, four survivors of the Narváez expedition , including Álvar Núñez Cabeza de Vaca and Estevanico , spent six and a half years in Texas as slaves and traders among various native groups.
The Chitlin' Circuit was a collection of performance venues found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921."