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Motif description is the term that has been used for a form of dance notation; however, the current preferred terminology is Motif Notation. It is a subset and reconception of Labanotation sharing a common lexis. The main difference between the two forms is the type of information they record.
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
Rudolf Laban presenting his notation system, circa 1929 Dance workshop based on Laban's notation system, circa 1929. Labanotation (grammatically correct form "Labannotation" or "Laban notation" is uncommon) is a system for analyzing and recording human movement (notation system), invented by Austro-Hungarian choreographer and dancer Rudolf von Laban (1879-1958, a central figure in European ...
Dance – human movement either used as a form of expression or presented in a social, spiritual or performance setting. Choreography is the art of making dances, and the person who does this is called a choreographer.
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
Hutchinson Guest studied Labanotation with Sigurd Leeder at Dartington Hall in England from 1936 to 1939 and trained in modern dance and ballet. In New York, she co-founded and directed the Dance Notation Bureau, danced on Broadway and taught at the Juilliard School, the High School of the Performing Arts, the Philadelphia Dance Academy, and the Royal Academy of Dance, where she created the ...
The history of the stance is often said to reach back to the famous Dancing Girl from Mohenjo-Daro, of about c. 2300–1750 BCE, [7] although this does not exactly show the usual later form. It may well derive from dance before art, [8] but the remaining record in early art is more clear. The earliest versions are nearly all in female figures ...
This project took Bartenieff into cross-cultural studies of movement, expressed in work and dance activities. An educational film entitled “Dance and Human History” (1976) [10] demonstrates the concepts of the Choreometrics team. [11] This project was the first to adapt Laban-based movement analysis to observation of cultural/geographic ...