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  2. Craftsman furniture - Wikipedia

    en.wikipedia.org/wiki/Craftsman_furniture

    Stickley began making American Craftsman furniture in 1900, though he did not change the name of his firm to the Craftsman Workshops until 1903. It was sometimes popularly referred to as Mission Style Furniture, a term which Stickley despised. The company ceased making furniture in 1916. [1]

  3. Gustav Stickley - Wikipedia

    en.wikipedia.org/wiki/Gustav_Stickley

    Gustav Stickley (March 9, 1858 – April 15, 1942) was an American furniture manufacturer, design leader, publisher, and a leading voice in the American Arts and Crafts movement. Stickley's design philosophy was a major influence on American Craftsman architecture.

  4. Arts and Crafts movement - Wikipedia

    en.wikipedia.org/wiki/Arts_and_Crafts_movement

    He manufactured furniture in the Cotswold Hills, a region of Arts and Crafts furniture-making since Ashbee, and he was a member of the Arts and Crafts Exhibition Society. William Morris's biographer, Fiona MacCarthy , detected the Arts and Crafts philosophy even behind the Festival of Britain (1951), the work of the designer Terence Conran ...

  5. Charles Limbert - Wikipedia

    en.wikipedia.org/wiki/Charles_Limbert

    American Arts & Crafts Movement Charles P. Limbert (1854–1923) was an American furniture designer. He is considered one of the most successful furniture leaders in the history of Grand Rapids and the Arts and Crafts movement in America.

  6. Arts and Crafts movement - en.wikipedia.org

    en.wikipedia.org/.../Arts_and_Crafts_movement

    The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles [1] and subsequently spread across the British Empire and to the rest of Europe and America. [2] William Morris' design for Trellis wallpaper, 1862

  7. The Craftsman (magazine) - Wikipedia

    en.wikipedia.org/wiki/The_Craftsman_(magazine)

    The Craftsman was founded by Stickley in October 1901. A key figure in the early years was art historian and Syracuse University professor Irene Sargent. [1] [2] She wrote most of the magazine's first three issues herself —including the inaugural issue's cover story on William Morris — and thereafter usually wrote each issue's lead article while acting as managing editor and layout designer.

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