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  2. Easy on Me - Wikipedia

    en.wikipedia.org/wiki/Easy_on_Me

    In the United Kingdom, "Easy on Me" debuted at number one on the Official Singles Chart on the chart issued for 28 October 2021. With 217,300 units, it marked the highest first week sales for any song since 2017. [78] "Easy on Me" spent eight nonconsecutive weeks at number one, becoming her longest-running number one single in the UK.

  3. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  4. Sonny Boy Williamson and the Yardbirds - Wikipedia

    en.wikipedia.org/wiki/Sonny_Boy_Williamson_and...

    Sonny Boy Williamson & the Yardbirds has been reissued numerous times. [17] Sometimes the tracks were resequenced and the cover art was updated with photos of the later period Yardbirds. [ 17 ] Questions over the ownership of the master tapes and the rights to authorize their release has led to many competing and overlapping albums. [ 18 ]

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  6. Dorsey Burnette - Wikipedia

    en.wikipedia.org/wiki/Dorsey_Burnette

    Neither record was a hit. In late 1959, Dorsey offered "Tall Oak Tree" to Ricky Nelson, who turned it down. Now signed to Era Records, Dorsey recorded the song himself, and it was released on January 11, 1960, backed with "Juarez Town" (Era 3012). [1] The record entered the charts and reached No. 23 on the Hot 100.

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  8. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

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