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According to Lipps, empathy incorporates movement or activity, which is bound up with observed object by: 1) being derived from it; and, 2) by being inseparable from it. [7] For his works, he is considered one of the most important representatives of the psychology of aesthetics alongside Stephan Witasek and Johannes Volkelt .
The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century. [citation needed] His most important contribution in this respect was his attempt to theorize the question of Einfuehlung or "empathy", a term that was ...
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...
Movement also helps; the figure may be moving against a static environment. Color is also a cue because the background tends to continue as one color behind potentially multiple foreground figures, whose colors may vary. Edge assignment also helps; if the edge belongs to the figure, it defines the shape while the background exists behind the shape.
The inability to perceive motion is called akinetopsia and it may be caused by a lesion to cortical area V5 in the extrastriate cortex. Neuropsychological studies of a patient who could not see motion, seeing the world in a series of static "frames" instead, suggested that visual area V5 in humans [1] is homologous to motion processing area V5/MT in primates.
André Breton (by way of Guy Mangeot) hailed the method, saying that Dalí's paranoiac-critical method was an "instrument of primary importance" and that it "has immediately shown itself capable of being applied equally to painting, poetry, the cinema, the construction of typical Surrealist objects, fashion, sculpture, the history of art, and ...
Illusory contours provide clues for how the visual system constructs surfaces when portions of the surface's edge are not visible. The encoding of surfaces is thought to be an indispensable part of visual perception, forming a critical intermediate stage of visual processing between the initial analysis of visual features and the ability to ...
Theories of aesthetic response [1] or functional theories of art [2] are in many ways the most intuitive theories of art. At its base, the term "aesthetic" refers to a type of phenomenal experience, and aesthetic definitions identify artworks with artifacts intended to produce aesthetic experiences. Nature can be beautiful and it can produce ...