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The song is the official club song of Birmingham City F.C., adopted during the club's run to the 1955–56 FA Cup final. On a coach to Highbury for the quarter-final tie at Arsenal in March 1956, the players sang songs to ease the tension, and manager Arthur Turner asked Scottish winger Alex Govan for his choice; he started singing "Keep Right On", and the players were still singing on arrival ...
In other projects Wikidata item; ... # of chords Quality 50s progression: I–vi–IV–V ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services ...
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
These chords stand in the same relationship to one another (in the relative minor key) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the relative minor key. For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Thirteenth chords are theoretically eleventh chords with the 13th (or sixth) added. In other words, theoretically they are formed by all the seven notes of a diatonic scale at once. Again, it is common to leave certain notes out. After the fifth, the most commonly omitted note is the 11th (fourth). The ninth (second) may also be omitted.
Some sources notate slash chords with a horizontal line, [3] although this is discouraged as this type of notation can also imply a polychord.While almost all pop and rock usages of slash chords are intended to be read as a chord with a bass note underneath it other than the root of the chord, in jazz and jazz fusion, sometimes a chord notated as F/A is intended to be read as a polychord; in ...
Octave doubling is sometimes done in power chords. Power chords are often pitched in a middle register. Shown above are four examples of an F5 chord. The letter names above the chords only indicate which different voicing is being used, and should not be conflated with the chord names typically used in popular music (e.g., C Major, B minor, etc.)