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Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
Domo arigato (どうもありがとう, Dōmo arigatō) (pronounced [doꜜːmo aɾiꜜɡatoː]) is a Japanese phrase meaning "Thanks a lot" or "Thank you very much". It may also refer to: It may also refer to:
Thank You (Declan Galbraith album), 2006; Thank You (Diana Ross album) or the title song, 2021; Thank You (Duran Duran album) or the title song, 1995; Thank You (Jamelia album) or the title song (see below), 2003
The song "Gracias a la vida" was considered as a "humanist hymn" by Chilean music journalist Marisol García. [4] In 2009 the former president Michelle Bachelet expressed her "affection and admiration" for Mercedes Sosa and "Gracias a la vida" with the following phrase: «As you know today, "Gracias a la vida" is a song of ours, but also a universal one.
Thank you for bringing that to my attention. Thanks, I didn't know that. Thanks, I did not know that guideline. Thank you for letting me know. Thanks, I am getting it now. Thanks for telling me, I would have gotten into trouble. Thank you, I never would have thought of that.
Rodolfo is the follow-up to the Latin Grammy awarded El Mundo Cabe en Una Canción (2006) which was recorded at the Circo Beat Studios in Argentina. [3] [4] The album was recorded in Páez' house with sole company of his piano, and was meant as an album of love songs. [5]
"Gone, Gone / Thank You" (stylized in all caps) is a song by American rapper Tyler, the Creator and the tenth track from his sixth studio album Igor (2019). It features background vocals from American singer CeeLo Green .
Thank You, Omu! is a 2018 picture book written and illustrated by Oge Mora. The story is about Omu, who cooks a stew and shares it with her neighbors; they show their gratitude by bringing her food. The book started as an assignment for a class of Mora's at the Rhode Island School of Design, where it was seen by an editor from Little, Brown.