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In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong buckle usually embedded with stones. [17]
Working-class people in 18th century England and America often wore the same garments as fashionable people—shirts, waistcoats, coats and breeches for men, and shifts, petticoats, and dresses or jackets for women—but they owned fewer clothes and what they did own was made of cheaper and sturdier fabrics.
Working-class people in 18th-century England and the United States often wore the same garments as fashionable people: shirts, waistcoats, coats and breeches for men, and shifts, petticoats, and dresses or jackets for women. However, they owned fewer clothes, which were made of cheaper and sturdier fabrics.
Pages in category "18th-century fashion" The following 96 pages are in this category, out of 96 total. This list may not reflect recent changes. 0–9.
By the mid-1820s, men's fashion plates show a shapely ideal silhouette with broad shoulders emphasized with puffs at the sleevehead, a narrow waist, and very curvy hips. A corset was required to achieve the tiny waistline shown in fashion plates. Already de rigueur in the wardrobes of military officers, men of all middle and upper classes began ...
A mantua (from the French manteuil or 'mantle') is an article of women's clothing worn in the late 17th century and 18th century. Initially a loose gown , the later mantua was an overgown or robe typically worn over stays , stomacher and either a co-ordinating or contrasting petticoat .
Image credits: Old-time Photos To learn more about the fascinating world of photography from the past, we got in touch with Ed Padmore, founder of Vintage Photo Lab.Ed was kind enough to have a ...
In the early 1800s, women wore thin gauzy outer dresses while men adopted trousers and overcoats. Rutger Jan Schimmelpenninck and his family, 1801–02, by Pierre-Paul Prud'hon Madame Raymond de Verninac by Jacques-Louis David, with clothes and chair in Directoire style. "Year 7", that is 1798–99.
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