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Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses. His landscapes are also considered to be done in a style that focuses more on a literal ...
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
Painting in the traditional style is known today in Chinese as guó huà (simplified Chinese: 国画; traditional Chinese: 國畫), meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century.
The presence of horses in Chinese art was particularly notable during the Tang dynasty, when many masterpieces prominently featured these animals. Noteworthy examples include the famous Flying Horse of Gansu [16] and the Six Steeds of Zhao Mausoleum. The horse emerged as a distinct artistic subject early in Chinese history. [17]
Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This ...
"Night-Shining White" (Chinese: 照夜白圖) is a monochrome ink-on-paper painting by the Chinese artist Han Gan. It is an example of Tang dynasty painting, created in the middle of the 8th century (circa 750). The work depicts a cavalry horse owned by the Emperor Xuanzong (reign 712–56) of the Tang dynasty, tethered to a post. It is ...
During the Tang dynasty, the capital city Chang'an (today's Xi'an), was the most populous city in the known world, and the era is generally regarded by historians as a high point in Chinese civilization and a golden age of Chinese literature and art. In several areas developments during the Tang set the direction for many centuries to come.
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