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In 1983 he played the saxophone on George Michael's hit "Careless Whisper". [2] Michael had already hired and fired several other sax players for the song, who the BBC characterized as struggling to play all the notes with "the right amount of fluidity and still breathe," [ 3 ] Michael eventually heard what he was looking for from Gregory. [ 4 ]
"Careless Whisper" is a song recorded by English singer-songwriter George Michael. Released as the second single from Wham! 's second studio album Make It Big (1984), it was written by Michael and Andrew Ridgeley , with Michael producing the song.
Poem for Alto Saxophone and Piano(1986)—Anders Eliasson; Whirled Series (1987)—Milton Babbitt [40] [41] Keening for Alto saxophone and Piano (1987)—Michael Berkeley; Sonata for Alto Saxophone and Piano (1988)—David Maslanka; Sonata for Alto Saxophone and Piano (1990)—Arthur Frackenpohl; Novella for alto saxophone and piano (1991 ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Tim Cappello (born May 3, 1955), [1] [additional citation(s) needed] also credited as Timmy Cappello, [2] is an American multi-instrumentalist, composer, and vocalist.He is primarily known for his saxophone work supporting Tina Turner in the 1980s and 90s, [3] [4] [5] as well as for his musical performance in the 1987 vampire film The Lost Boys.
The melody is then played by the soloist. The strings provide a lush background texture. Several musical themes follow. The saxophone begins to dominate with passages of scales and interval jumps. The opening part is in G minor while the central section is in Cb major. The saxophone then intertwines the melody with lyrical themes of the strings.
Benny Golson (January 25, 1929 – September 21, 2024) was an American bebop and hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career.
A major selling point for the C melody saxophone was the fact that in contrast to other saxophones, it was not a transposing instrument.As a result, the player could read regular printed music (e.g. for flute, oboe, violin, piano, guitar or voice) without having to transpose or read music parts that have been transposed into B ♭ or E ♭, which most other saxophones would require.
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